The dynamic art of Anatolian kilims is exemplified in this stellar example of a rare design type.  Of course, “rare” is relative and not enough is really known of the art to explain why some types are less frequently encountered than others.  Undoubtedly this design type originates from a specific place or village, rather than merely being dubbed “rare” without further explanation.  All kilims from the 18th century and before are relatively rare, so using this word does not provide the necessary perspective when viewing the desirability  of  a specific weaving.

Some may view the wealth of design seen here as possibly representing a “later aesthetic”.   As time went on, more designs may have entered the design pool as the weaver wished to transmit more information.  Whether this is an accurate assessment is unclear and the apparently earliest kilims known are rather sparsely ornamented with the absence of peripheral patterning.   But this type is believed to be 18th century, and both the quality of the colors and wool suggest this age. 

Analogous examples in the literature are rarely seen.  One such kilm does exist, see in the book by Prammer, plate 43.  The original kilim probably consisted of three medallions.