An old and absolutely lovely example of textile art from Central Asia.  I am just now reading the new book by Andrew Hale and Kate Fitz Gibbon (to be reviewed for Steppe, a new magazine based in Central Asis) about Uzbek embroidery. In the text, Andy refers to weavings in this style woven by both the Kungrat and Lakai.  Given the eccentric nature of the patterning, outside of the mainstream design pool that one sees in weavings of this type, I am guessing this could possibly be a Kungrat example. 

But whatever it is, the graphic appeal of the design is remarkable, both in execution as well as the variety of patterning seen here. Some of these designs are ones that I have not previously encountered in weavings of this type, seemingly reminiscent of certain patterns that I have seen in the medium of embroidery, both Lakai and Kungrat, rather than within this type of textile.

The condition is good, with no holes or repair.  The colors are all derived from natural dyes.